Little Perversities

A collection of obstinately different short stories, fast fiction and poetry -- to astound, amuse, disturb and beguile, skidding from darkness to light beyond the realm of reasonable and back again. And thus, perversely satisfying.

Sunday, December 11, 2005

Meet the authors:

Diane Shakar, who got us all together, who conceived the idea for this book and who has been the guiding force behind its completion, Marge Hauser, Judith Johnson, John Krajci, Lynne Martens, Ann Rosenthal, and Marian Walsh. Click on the title after each name to read a selection from our book.

And get information here about purchasing your own copy of Little Perversities and joining us at readings of our work.

Marian Walsh

Marian Chester Walsh (A Child's World) was born in Genoa, a hamlet in Cayuga County, NY, in 1919. She attended Genoa Free School and graduated from Syracuse University in 1940. She traveled with her husband, a Navy doctor, and four children, to North Carolina and California before settling in NYC for 25 years. She moved back to Chapel Hill, North Carolina in 1996 where she lived with an accumulation of writing until her passing on December 13, 2004.

Diane Shakar

Diane Shakar (Need) lives in Cobble Hill, Brooklyn and has been writing short stories, poems, and her favorite genre short-short stories for the past twelve years. “Alan Ladd’s Necktie” was one of her first, written after a national tour with her actor husband Martin Shakar. She is very happy to be self-publishing with the members of her writing group. Her son, Greg, has assured her that a number of eminent writers—William Blake, Henry David Thoreau, Walt Whitman—were self-published so she is in good company. When not writing she’s a dancer/actor, Reiki and Shiatsu practitioner and non-Korean, Korean drummer. Her son, Alex, a fiction writer and professor of creative writing at the University of Illinois at Champagne-Urbana, has published a novel and book of short stories. The aforementioned son Greg is a sound sculptor traveling the world and delighting children and adults with his interactive art.

Ann Rosenthal

Ann Rosenthal (The Plunger) works in Manhattan and lives in Brooklyn, where she was born. She grew up in the Rockaways and has been writing all her life.

Lynne Martens

Lynne Martens (The Elephant and The Donkey) was born, raised and spent most of her life in the teeming atmosphere of NYC before moving to Vermont last winter. (She currently sees more cows than people.) In the 1970’s she danced professionally with several modern dance companies before marrying and raising three children in a Long Island house chosen primarily for its yard. She taught dance for many years, earned a BA in history from C.W. Post College and, after returning to Manhattan in 1995, obtained her certification in the Pilates method of body conditioning. She currently teaches Pilates in Vermont and with her daughter, Shannon, opened a Pilates studio of her own last spring. She thanks the members of her writing group that produced this book (one of whom is her mother, Marian Walsh, who passed away in December 2004) for their all abiding friendship, patience and encouragement.

John Krajci

John Krajci (The Influence Peddler)--Born and raised in New York City. Married with two children. Attended New York City public schools. BA - Hunter College. Also studied at The New School, NYU and Columbia.
Work experience: Communications Manager at major corporation. Developed advertising and promotion campaigns, company magazines, sales newspapers, and policyholders newsletters. Also served as liaison for company's public television activities.
Other activities: Publications Director for National Alliance of Business, Board Chair for Theater for a New Audience, and in Palisades, NY, served as Democratic Committeeman and a Trustee of the Palisades Free Library.
Studied acting at Theatre-Studio in New York City. Taught improvisation course at the Institute for Retired Professionals (IRP), an organization devoted to adult learning. It is affiliated with The New School.

Judith Johnson

Judith Johnson (untitled) was born in Syracuse, New York. She earned a Bachelors degree from Pratt Institute, and attended graduate school at New York University. She toils as a graphic designer in the dog eat dog world of toys. She currently lives in Yonkers with 2 cats and a husband.

Marge Hauser

Marge Hauser (Transit/Prodigal Sun) was born in California, raised in Massachusetts and now lives in New York City. She received a BA in French from Brown University and a Master of Arts in Teaching from Teachers College at Columbia University. After more than 35 exciting, challenging and fulfilling years as a New York City middle school teacher of French and Humanities, she retired in 2001 to pursue other interests including dance and writing. Her first collection of poems, written when she was six years old, was published by her mother in a black three ring binder under the title “Odes of Marge.” She has continued to write poetry and short stories ever since then and has shared both with friends and with students over the years. Her students were receptive, encouraging and helpful readers, and perceptive critics who helped her to develop and refine her work. Marge is proud of the fact that many of her former students are continuing to write and to share their work with her and with others.

A Child's World, Marian Walsh

The sky is her roof, cupped over the level land
Around her house, orchards stand in rows
And she walks through the aisles
Of orderly trees, feeling safe and peaceful
No sense of hidden danger
As, in tangled woods behind the farm
She looks for the three bears

Down the road stands a white church
Where she sits with other children and listens to bible stories
Told by a woman in a pink dress,
Whose pink cheeks dimple when she smiles
She always smiles even when she says Jezebel
Was thrown out of a window and eaten by dogs.
They always sing “Jesus loves me, this I know.”
The child does not know what this means:
Who is Jesus? She has never met him.
But she fears Jehovah.

Upstairs in the church are aisles between hard, polished pews:
A quiet place, like the orchards, but not alive, like them.

The farm is her paradise,
One day she finds a locust, half buried in the sandy lane:
Lacy wings splayed and brittle,
Wings that sang with piercing joy at noon
And she is sad.

Transit/Prodigal Sun, Marge Hauser

The sun fell out of a hole in the sky
and rolled down the mountainside
leaving opaline snail trails
on rough gray rocks.

The sun rolled down the mountainside
and across the field
sparking crystal fires
on dew-flecked grass.

The sun rolled across the field
and into the lake
glowing silvery bright
in the watery mirror.

The sun rolled into the lake
and onto the shore
through pearlescent lilies
and pale gold reeds

and into a hole in the sky.

Untitled, Judith Johnson

Oh dear friend
how amiss I’ve been!
to see the spot for the whole
Rough coal
for a finely honed jewel
of many facets bright and dark
Lenient with myself
So understanding too!
But not with you
Missed the mark
fallen short
I crawl to you a clear-eyed worm
And beg for pardon
Which you dispense
and we resume

But oh dear friend…

The Influence Peddler, John Krajci

Pass that box of Cuban cigars and the brandy, too, please. Help yourself, if you like.

As I was saying, in my pocket and under my thumb one of each. One fellow’s weak and callow. I paid cash for him. Other one’s mine by virtue of an ominous kind. He’s sly and slips into transgression easily as an eel through mud.

Now and then, they will display an independent streak just to show it’s the voters who sit in the saddle, not you. Once they’re yours, you’ll need to keep their leashes tight until they acquire a sensitivity to what you require.

They do what I say and, you have my word, you’ll like it that way. The price is steep but your money’s back in a matter of weeks.

Is it a deal?

The Elephant and The Donkey, Lynne Martens

      The elephant lumbered along the dusty trail, dropping dung and deep in thought. He was pondering his very massiveness—his brawn and heft and felt good. His flaring ears swatted away the swarms of pesky flies from his face and his trunk batted aside scratchy overhanging tree branches with efficiency and grace. As he approached a dense patch of branches and bush, his huge eyelids hunkered down into half mast (his mighty eyeballs were easily irritated).       After cleaving a path through this thicket of vegetation, the elephant ran straight into a donkey’s ass. The donkey spun around to face the elephant, backing off only slightly. His nostrils flared in contempt. “Hey, hose nose, watch where you’re going!” he yelled.
      The elephant was stunned. He’d never seen a donkey in his neck of the woods, though he’d heard about hordes of their numbers in North American cities.
      “Look, buddy, you’re in my way and in my territory,” the elephant blared, having recovered his heft and moral authority, not to mention his ascendancy. He thumped his trunk menacingly. “Move your prickly ugly hide.”
      “Look who’s calling the kettle black,” the donkey spat out, but he moved aside for the giant beast. “Go ahead, pea brain,” he continued. “Shit your way through the jungle, slick the trail with excrement.”
      “Sticks and stones, buddy,” the elephant trumpeted loftily. “I can crush you with one stomp of my mighty foot.”
      That said, the elephant raised his chubby right leg, exposing the enormous fleshy width of his hoof. But the donkey did not quiver in terror. Instead, he turned his backside to the elephant and bucked his spindly hind legs furiously, digging out a spray of dirt and dust that sprayed right into the elephant’s eyes. The elephant shook his head and thumped his trunk and stomped the earth noisily, to no avail. He was blinded by the dirt.
      “Take that, you stupid lunk of lard,” the donkey brayed, his lips stretched into a lurid grin.
      With that, he galloped down the trail, his hoofs spitting out dirt, his heart filled with satisfaction. But the elephant was in no sweat whatsoever. He knew the donkey’s victory was temporary. His dirt-clouded eyes would clear if he worked his tear ducts properly. And, hey, everyone knew who was boss. HIM. Appeased, he drew himself into deep thought again and resolved the following: the next time he encountered a donkey’s ass, he’d kick it to kingdom come and then throw a Grand Ole Party.

The Plunger, Ann Rosenthal

      I didn’t like this dentist to begin with. He was always complaining about the neighborhood. I lived in the neighborhood. He had his office there. The basement of a brownstone by the park. His car was vandalized twice, and his wife, who I didn’t like either- she lost my insurance forms, was mugged transporting teeth to a lab down the street. Besides his complaining about the neighborhood, this dentist would step on my feet when approaching my mouth for dental procedures.
      One day, the dentist and I were alone in his office. “The last customer,” he called me. His wife had left for the lab. I was gassed up and numbed with banana flavored needles for the second stage of a root canal. His root canals were always five stage events, like historical restorations. My face was paralyzed and I was starting to float from the chair toward a dusty fluorescent light fixture overhead. Until I noticed him. Throwing down the drill, the drill still going, and then slowly taking off his light blue dental shirt, revealing a yellowed V neck T-shirt and a red spotted chest with sprouts of black hair. He was looming closer like a dark cloud over my body.
      Pig! I thought. Dental lust! All that polite leaning into me to remove my decay. It wasn’t my bad teeth he was after, or my insurance plan! It was me! As I began to struggle in a daze to sit up, he kept removing more items from his body - a watch, his gold BEST DENTIST charm and chain, and then he began fumbling with the zipper of his pants. But he didn’t stop me from sitting up. He was distracted by something behind me and was staring at the door.
      He started shaking his pants upside down (they were in his hands now) pulling the empty pockets out. I tore the pipe, which was watering my mouth off my lip, and turned toward the door. Two teenage boys wearing wool caps were standing in the doorway. One of them held a knife and kept pointing it back and forth at me and the dentist. The other was poised like a waiter in a restaurant about to announce the specials, with a hand covered with a white cloth napkin. Except the covered hand was steadily aimed at me. Who knows what he had underneath it.
      There were no words spoken. Everything was understood by where the knife was directed. I found myself standing by the dentist, Kellerman was his name, as this language unfolded. The boy pointed the knife at my watch. I gave it to him. He pointed it at my ring. I gave it to him. My bag on the back of the dental chair was his with the slightest gesture. Then the knife motioned us both to move down the hallway to enter the bathroom. We followed, and the bathroom door was slammed behind us. I could hear them jamming the door from the other side.
      Kellerman and I stayed anesthetized with fear in his tiny bathroom for about fifteen minutes. Then Kellerman in his underwear, which I started to notice had small blue toothbrushes on it, threw his large body against the jammed door, and screamed, “I should’ve never got an office in this horrible neighborhood!”
      I was sitting on the toilet, dazed at the sight, sound of him, and his discontent that echoed in the small space and fell on me. Starting to feel the numbness leave, I began to wonder if he would bill me for this stage of the root canal. Kellerman threw his body once more against the door. Thump.       “How the hell are we gonna get of here!’’ he shouted.
      How should I know, I wanted to yell back. You’re the dentist! I’m the patient!
      I don’t remember when I first saw the toilet plunger. I jabbed him with the wooden tip of it and said in a slurred, cracked voice, “Try this.”
      Kellerman took the plunger, leaned against the tiny bathroom sink, and with the stance of a warrior attacking a fortress, he ran three feet and jammed the plunger against the bathroom door’s edge. It worked. He rushed to the phone in the reception area where his wife usually sat and called the police, still armed with the plunger.
      “You know you’re lucky you were never attacked,” he told me, as he sat down on a wheeled office chair that rolled him backward as he spoke.
      He billed me two weeks later.

Need, Diane Shakar

     She took everything. Took the paper off the walls, stripped it with her fingernails, stuffed the shredded Dutch girls down her shoes. She took the pails of milk and the toast from the toaster. Took the road that ran back of the house. Took the brook and pocketed the twitching fish. Took nozzles, hoses, finials, beeswax, larches, conifers. Took the clothespins off the line, cut the line and took that too. If she could have she would have taken the clouds from the sky but couldn’t reach them even from the tallest ladder leaning against the wooden walls of the garage. She ripped up the yard instead, every burnt blade of grass, every weed, every dandelion. Then ripped the dress off her back, lay in the tumult, and took the sun.

Tuesday, November 29, 2005

It's here!


Now available from Amazon, Barnes & Noble and Wasteland Press.

Cover photo by Deborah Berk

No more readings are scheduled for the time being, but check back for updates. And if you haven't already gotten your own copy of "Little Perversities" order it now!